
The count, in his survey of the pit, encountered a pale face and threatening eyes, which evidently sought to gain his attention. He recognized Albert, but thought it better not to notice him, as he looked so angry and discomposed. Without communicating his thoughts to his companion, he sat down, drew out his opera-glass, and looked another way. Although apparently not noticing Albert, he did not, however, lose sight of him, and when the curtain fell at the end of the second act, he saw him leave the orchestra with his two friends. Then his head was seen passing at the back of the boxes, and the count knew that the approaching storm was intended to fall on him. He was at the moment conversing cheerfully with Morrel, but he was well prepared for what might happen. The door opened, and Monte Cristo, turning round, saw Albert, pale and trembling, followed by Beauchamp and Chateau-Renaud.
"Well," cried he, with that benevolent politeness which distinguished his salutation from the common civilities of the world, "my cavalier has attained his object. Good-evening, M. de Morcerf." The countenance of this man, who possessed such extraordinary control over his feelings, expressed the most perfect cordiality. Morrel only then recollected the letter he had received from the viscount, in which, which without assigning any reason, he begged him to go to the opera, but he understood that something terrible was brooding.
"We are not come here, sir, to exchange hypocritical expressions of politeness, or false professions of friendship," said Albert, "but to demand an explanation." The young man's trembling voice was scarcely audible. "An explanation at the opera?" said the count, with that calm tone and penetrating eye which characterize the man who knows his cause is good. "Little acquainted as I am with the habits of Parisians, I should not have thought this the place for such a demand."
"Still, if people will shut themselves up," said Albert, "and cannot be seen because they are bathing, dining, or asleep, we must avail ourselves of the opportunity whenever they are to be seen."
"I am not difficult of access, sir; for yesterday, if my memory does not deceive me, you were at my house."
"Yesterday I was at your house, sir," said the young man; "because then I knew not who you were." In pronouncing these words Albert had raised his voice so as to be heard by those in the adjoining boxes and in the lobby. Thus the attention of many was attracted by this altercation. "Where are you come from, sir? You do not appear to be in the possession of your senses."
"Provided I understand your perfidy, sir, and succeed in making you understand that I will be revenged, I shall be reasonable enough," said Albert furiously.
"I do not understand you, sir," replied Monte Cristo; "and if I did, your tone is too high. I am at home here, and I alone have a right to raise my voice above another's. Leave the box, sir!" Monte Cristo pointed towards the door with the most commanding dignity. "Ah, I shall know how to make you leave your home!" replied Albert, clasping in his convulsed grasp the glove, which Monte Cristo did not lose sight of.
“The Cunninghams joined us, as you doubtless remember outside the kitchen door. It was, of course, of the very first importance that they should not be reminded of the existence of this paper otherwise they would naturally destroy it without delay. The inspector was about to tell them the importance which we attached to it when, by the luckiest chance in the world, I tumbled down in a sort of fit and so changed the conversation.”
“Good heavens!” cried the colonel, laughing, “do you mean to say all our sympathy was wasted and your fit an imposture?”
“Speaking professionally, it was admirably done,” cried I, looking in amazement at this man who was forever confounding me with some new phase of his astuteness.
“It is an art which is often useful,” said he. “When I recovered I managed, by a device which had perhaps some little merit of ingenuity, to get old Cunningham to write the word ‘twelve,’ so that I might compare it with the ‘twelve’ upon the paper.”
“Oh, what an ass I have been!” I exclaimed.
“I could see that you were commiserating me over my weakness,” said Holmes, laughing. “I was sorry to cause you the sympathetic pain which I know that you felt. We then went upstairs together, and, having entered the room and seen the dressing-gown hanging up behind the door, I contrived, by upsetting a table, to engage their attention for the moment and slipped back to examine the pockets. I had hardly got the paper, however — which was, as I had expected, in one of them — when the two Cunninghams were on me, and would, I verily believe, have murdered me then and there but for your prompt and friendly aid. As it is, I feel that young man’s grip on my throat now, and the father has twisted my wrist round in the effort to get the paper out of my hand. They saw that I must know all about it, you see, and the sudden change from absolute security to complete despair made them perfectly desperate.
“I had a little talk with old Cunningham afterwards as to the motive of the crime. He was tractable enough, though his son was a perfect demon, ready to blow out his own or anybody else’s brains if he could have got to his revolver. When Cunningham saw that the case against him was so strong he lost all heart and made a clean breast of everything. It seems that William had secretly followed his two masters on the night when they made their raid upon Mr. Acton’s and, having thus got them into his power, proceeded, under threats of exposure, to levy blackmail upon them. Mr. Alec, however, was a dangerous man to play games of that sort with. It was a stroke of positive genius on his part to see in the burglary scare which was convulsing the countryside an opportunity of plausibly getting rid of the man whom he feared. William was decoyed up and shot, and had they only got the whole of the note and paid a little more attention to detail in their accessories, it is very possible that suspicion might never have been aroused.”